Back in October 2015, I had the immense privilege of traveling to Venice to make art for The New Venice Haggadah. In 2016, Venice, Italy, was to mark the 500th anniversary of the formation of the Jewish Ghetto in Venice, the first ghetto in Europe, founded during Passover in 1516. To celebrate 500 years of Jewish life in Venice, Beit Venezia (formerly the The Venice Center for International Jewish Studies) initiated a year-long series of events, including plays, symposia, and other cultural programs. In the 16th and 17th centuries, Venice was a primary center of Jewish book production. It was there that the first complete Talmud was printed, the first Mikraot Gedolot (a bible with a number of commentaries printed on the same page as the biblical text), and a highly-regarded multi-lingual illustrated Passover haggadah from 1609. In recognition of this history, Beit Venezia invited eight artists from around he world to create new work for a New Venice Haggadah, honoring the city and its distinctive community.
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Haggadah Typography through the Ages
In every generation, each person is required to see themselves as if they came out of Egypt.
The Passover haggadah holds a special place on the Jewish bookshelf. Unlike a torah scroll or megillah, it is not a ritual object. Unlike a bible, its contents and layout are not subject to codes and conventions. Unlike a siddur or mahzor, it is not used ceremoniously in regimented communal prayer. Unlike a talmud or typical other work of exegesis, it is short and self-contained and not exclusive to the learned. Instead, it is a layered book of prayers, teachings, and songs, used privately at home with family and friends who join together to celebrate and learn in one of the most enduring Jewish rituals, the Passover Seder. By design, the Seder encourages participation by attendees of all ages and backgrounds, and that universality makes the haggadah the most creatively designed book throughout Jewish history. Let’s take a look at some of the most interesting haggadot over the last thousand and a bit years for a glimpse into how Jews have taken the styles and tools of the day and created works of lasting beauty. With an eye on type, of course. Continue reading